Purposeful Persistence

California Gull Shakes Feather Off While Bathing

My PSA Nature Study Group Image for August

Title: California Gull Shakes Feather Off While Bathing.

Goal: I belong to three Bay Area birding lists or groups, East and South Bay, as well as Peninsula Birder’s Group. I receive email postings by members as to rare and unusual sightings. Birders also just publish their adventures and sightings to share with other birders. Its focus is birding, but many bird photographers use these postings to find and photograph rare and uncommon species. I am no exception! However, there is a big difference between birders and bird photographers. One obvious difference is that birders take pictures mostly for identification, whereas bird photographers are trying to create art. Another one is photographers need to get close, very close to make compelling beautiful imagery. I could go on with the differences, as I have in a previous blog post.

The point is that I was following a lead to find and photograph phalaropes in Sunnyvale, in the South Bay. When I saw the poor digiscope camera image from a birder; I knew that I was chasing a “wild goose”. Yet, because of his effort to tell me where the phalaropes where, I went anyway. I tried hard by putting my big 600 mm lens and tripod on my Rolle cart and got about a mile out, but the phalaropes were way out there another couple of miles. Too much for me to physical at this stage in my life. I decided to head north on the west side of the bay instead. I ended up at Atascadero in Palo Alto, here not that far from my car I found a shallow pond that must have been fed by some underground water source. It was July, not April and most or practically all non-tidal water had disappeared. I noticed a large collection of gulls in this pond, and I notice the center area seemed to be a little deeper and flowing or upwelling with water. The gulls were taking advantage of this relatively fresh upwelling and flowing water by bathing.

Even though it was still hard to get close to them because the water surrounded by a dry pan and the levy I was on was still farther away than I liked. Nevertheless, I had the reach with my 600 mm lens and a 1.4x tele converter and a cropped sensor with my 7D Mark II camera body.

The light was working for me; the sun was setting in the west behind me. Perfect conditions for creating painterly nature images. I kept waiting for them to bath and then jump up in the air which is their typical behavior, not all the time, but most of the time. I also took a few flying in and out images as well. Trying to take advantage of the beautiful photography conditions in any way I could.

You are waiting for the moral of the story or the point. Well, I could have given up twice: once by not going at all, second throwing in the towel after my researched location was a bust, but I didn’t give up and persisted in my efforts. As a result, I think I was richly rewarded. Nature is full of surprises, and it never disappoints if you’re opened to its secrets and its mystery!

Equipment/Source: 600 mm IS f4.0 lens, 1.4x tele converter, 7D Mark II camera body, on a Gitzo 3025 tripod. Shot Information: 1/6400 sec; f7.1 aperture; ISO 1000, Aperture Priority Shooting Mode, and Evaluative Metering, No Flash.

Technique: The light was so good I didn’t do much to the raw capture file. Some slight cropping targeted noise reduction and sharpening. Also, I did a mid-tone contrast enhancement technique using the RGB channels layer.

There is one point or criticism of the image that I know of, but it couldn’t be helped. I am interested in seeing if anyone mentions it.

Fortune Favors The Prepared

My “Little Bee Eater Toss Moth In Air Before Swallowing” image made the top one hundred images in the NANPA Expressions 2016 photo contest.

My 2016 NANPA Expressions Top 100 Winner
Little Bee Eater Tosses Moth In Air Before Swallowing
Little Bee Eater Tosses Moth In Air Before Swallowing

My “Little Bee Eater Tosses Moth In Air Before Swallowing” image made the top one hundred images in the NANPA Expressions 2016 photo contest. There were around four thousand images submitted, to make the top one hundred is a high honor indeed.

STORY BEHIND THE IMAGE:

We were in Tarangire National Park, the fourth day of our three-week safari. We had driven most of this particular morning and were at the edge of the large Lormakau Swamp. My friend John who organized the trip is a bird photographer like me. As a result, we weren’t just after the big five. In fact, John knew our driver and had especially requested him, because they had built up a good relationship over John’s previous trips to East Africa. Both the guide/driver and John loved birds and shared that love with each other. On the most difficult sightings when they would disagree about the identification, I would keep a mental scorecard of who was right and periodically announce who was ahead. They were very competitive in a friendly way.

John’s wife and I were keeping a bird species list as we went from National Park to National Park. During this particular moment, we were photographing a big bull elephant feeding on the edge of the swamp. On the hillside above the swamp where we were parked, there were several large bushes with open branches on top. Since we had been stationary for quite a while. The little bee-eaters resumed their hunting and sallying from these bushes. They came down the slope sparsely dotted with acacia trees. Important was staying put, this allowed the bee-eaters to become accustomed to our presence. Because they were so close, both John and I were watching this particular bee-eater with our cameras trained on it. When it sallied out it would usually come back to the same perch; we didn’t attempt to track our cameras out trying to get an image of it flying. Our focus remained on the perch when it came back with the moth, we were ready when it tossed the moth into the air, before eating. John and I got the shot. A fortune shot, yes, but those who are prepared and observant do get the prize.

A fortune shot, yes, but those who are prepared and observant do get the prize.

TECHNICAL DETAILS:

Equipment: Canon D7 body, 600 mm IS f4.0 lens, with a 1.4x Canon III teleconverter, 840 mm at 1/3200 of a sec, f6.3, ISO 1250, Pattern Metering, no flash.

Technique: 600 mm lens mounted on a bean bag from the top of A Safari Type Landrover vehicle.

Processing:  Some darkening of the background and slight reduction of overall contrast with Nik Viveza. Raw conversion with Photoshop ARC, some cropping.

NANPA 2016 Bird Winners:

NANPA Site Bird Winner Image

This image is also part of my Wildlife Beyond Borders collection. You can view the rest of the images here. My Astounding World of Birds.

Also, you can find more information about this incredible collection of images at our Facebook page.

https://www.facebook.com/wildlifebeyondborders/

Practicing Photography Close To Home

 

Practicing Photography Close To Home

(Zoo Photography)
The Bald Eagle Look
The Bald Eagle Look

Fantastic animal and bird photography can be done close to home. You don’t have to travel to faraway lands. I am advocating for taking images in your backyard and at local wild areas around where you live. Of course, if you love wildlife and can afford to go, a safari to Africa is a trip of a lifetime. So yes, definitely go if you can, but if you can’t travel to these iconic wildlife destinations. Concentrate on practicing your craft locally. Even if you are in an urban area, there are still places to go. One of my places to practice nature photography is at your local zoo.

Prairie Dogs Show Affection
Prairie Dogs Show Affection

Now, I am not a supporter of having animals in small cages or animals treated without care, dignity, and proper respect. Wildlife Parks and zoos have become much better recently at providing good care for animals that cannot be released to the wild. In fact, I would not go to or support, any place that mistreats animals within their care. Most of us can go to local wildlife areas, preserves, shorelines, parks, preserves without the exorbitant costs of foreign travel. Here in the Bay Area, we have been blessed with a large green belt that surrounds our mostly urban areas. The San Francisco Bay itself provides great shorebird photography opportunities, being a special place on the western migration route of many birds.

Even if you are planning a trip abroad or to Africa, a trip to your local zoo, can be beneficial. By learning a new camera’s menu and controls of a recently purchased camera body, so when you get to Africa you are not fumbling with these controls and making the wrong settings decisions. Practice makes perfect or at least gets photographers a long way towards making great images. The process of photography and making images becomes second nature with practice, and allows you to be in that focused Zen-like state of total concentration.

The Face Of A Ring-tailed Lemur
The Face Of A Ring-tailed Lemur

For beginners especially, a local zoo can be a great place to learn, improve, and develop your technical as well as your visual skills. My favorite technique is to use a 600 mm lens to isolate subjects and remove the man-made elements that you naturally find at zoos. I have used this lens for a long time and have had much practice with it.

Male Peacock Portrait
Male Peacock Portrait

In fact, these type of images has become a calling card—my style. One problem with long lenses is the weight, and thus I have a special cart(1) that I can wheel around with my lens, tripod, and camera, securely tied down, and ready to use at a moment’s notice. This allows me to create engaging animal portraits, without showing the hand of man.

The composition of animal portraits is very similar to that of people portraits. What to include and what to exclude decisions, posing, and the position of the animal in the frame, as well as learning how light affects your final image. Making decisions on aperture, exposure, and which shutter speed and ISO combination to use, all the while waiting for the decisive moment to occur. With the goal to capture arresting behavior and interesting facial expressions. Focusing is another element where practicing is essential. Decisive or peak moments of action and behavior are fleeting and almost split second in nature, with practice, you can capture a great percentage of these moments. Before taking that once in a lifetime trip to exotic lands like Africa, go to your local zoo or wildlife preserve and enhance your skills by practicing. I have included some of my best zoo images here for review so you can see for yourself that works of art and wonderful portraits of animals are possible.

Golden Eagle Head Shoulder Portrait
Golden Eagle Head Shoulder Portrait

Become experience and competent with your camera, develop and improve your skills before you go to Africa, you will be rewarded that you did make this effort and happy taking the time to do so.

If you love wildlife photography like I do, then, you’ll have fun and the exciting experience watching your efforts come alive as works of art that “sings with beauty”.

(1) http://www.eckla.de/en/eckla-beach-rolly.html

Meercat Resting On The Back Of Another
Meercat Resting On The Back Of Another
Female Gorilla Eats With Her Fingers
Female Gorilla Eats With Her Fingers

 

 

 

The Leopard of Londolozi

(My Love Affair With A Londolozi Leopard)

Maxabene Resting on a Tree Limb
Maxabene Resting on a Tree Limb

She was the most beautiful and spiritual animal I saw on my September 2005 South African photography trip. I was enchanted with her; it was more than just a fancy or fanciful thought. She was everything that was wild and free about the unique animals of Africa. She embodied all that is Africa. The intense look in her eyes as she surveyed the savanna was mesmerizing. I was completely under the spell she cast with her enchanting yellow-green eyes.

Female Leopard Looking Out At Her World
Female Leopard Looking Out At Her World

Before Londolozi, my photography friends were chiding me about a leopard sighting earlier on our trip in Kruger National Park. I was driving and it was very late; I missed seeing a leopard in a tree flash lighted by a parked tour bus driver. Who at almost dark was shining light into a tree with a big flashlight alongside the road for his passengers.

We had stopped, my friend in our first vehicle was leading, and she engaged the driver and he pointed out the leopard to her. However for me, driving our second car the angle for viewing was wrong; the leopard was hidden by a big branch that hung down to the road. My companion in the back seat and I searched and searched for at least twenty minutes in vain and could see nothing, no leopard.

While my friend in the first vehicle chatted away with the tour bus driver, precious time was ticking down. We needed to get to Lower Sabie camp, a camp we had yet to visit before they closed the gate. Otherwise, we would face a large fine. Already there was hardly any light left in the sky.

Maxabene Surveying The Land
Maxabene Surveying The Land

Suddenly and unexpectedly, my friend driving the first vehicle took hurriedly off as her companion in the back seat, the fourth member of our group, made her aware of the ticking time. She was leading; I was following. It was almost completely dark now and I did not want to lose her. Actually, I had no idea where we were and where was Lower Sabie Camp. I was just following.

Concentrating on my driving, I drove by the “viewing window” to see the roadside leopard. Later, my companion in the back seat when asked said, yes, he did see the “leopard but only at 30 miles hour for a few brief seconds.” I was the only one of our group that missed seeing the leopard.

Afterward, in the Lower Sabie parking lot, my friends were riding me so hard for missing this leopard sighting that I actually got angry. Something I never do. They said that I might never see another leopard and I possibly blew my one and only chance of seeing this elusive cat. “You missed your one and only chance, Bruce. You might not have another opportunity to see a wild leopard, you came all this way to South Africa and mess up your only chance.” I could not believe we were fighting over this missed sighting.  In my anger, I told them to go to hell.

Maxabene Hunting In The Long Dried Grasses
Maxabene Hunting In The Long Dried Grasses

I need not have worried, for our visit to Londolozi, in the nearby Sabi Sands game reserve, was just days away. Where I would have the destiny to meet this beautiful and enchanting leopard called Maxabene. It was like she was waiting for me—just for me alone. We saw other Leopards too, like the Short Tailed 5:4 Male. We had more sighting of leopards than we could have hoped and dreamed for. Not only sightings but the chance to make compelling photographs of this elusive feline species. It’s where I fell in love with the lovely and mysterious female leopard called Maxabene. Our time together was brief. However, she’ll never leave my memories of my time at the place they call Londolozi—a place that truly is a “protector of all living things”.

Plus, I have these images of Maxabene that will be with me always, as a remembrance of our brief time together.

The Intense Look Of A Hunter
The Intense Look Of A Hunter

Taken For Granted

Mesquite Frames A Calling Audubon Oriole
Mesquite Frames A Calling Audubon Oriole

Taken For Granted

Taken for granted are the sounds of nature, bird songs in the morning’s dawn, the whispers of the wind gently touching your face, and the powerful smell of raw wilderness. These are a few of the healing and soothing gifts of the natural world.

Male Allen's Hummingbird Does Tail and Wing Stretch On Cape Heath
Male Allen’s Hummingbird Does Tail and Wing Stretch On Cape Heath

Too often today, we have divorced ourselves from nature. This loss of connection has sent us adrift. Most of us are ill without even knowing it. There is so much nature can bestow upon us if we accept its gifts and live close to it. A timeless peace, a sense of harmony and balance, and a belief in the essential goodness of life are a few of the benefits of living with nature.

I have a friend who is a morning person. He would get up very early before dawn and prepare some coffee on the gas burning stove at the cabin we shared. Then, he would go outside with his cup of coffee and wait for dawn to break and watch the day begin. He would listen to the birds’ songs begin as the night passed to day, as the darkness faded minute by minute. This simple act gave him peace and rid him of the anxiety created by life in the modern world. I treasured sharing these moments with him; they became part of my early exposure to tranquil powers of the wild.

We shared another passion. He fueled my desire to learn about the birds whose calls we heard, to distinguish one from another, to learn their calls by heart, and discover their unique behavior of each individual species. I started my first species list. The mysterious California Thrasher whose spring calls from the tops of the chamise bushes first intrigued us became the first species on the list.

Black-crested Titmouse On A Mesquite Branch
Black-crested Titmouse On A Mesquite Branch

Yet, at some point keeping a list was not enough, nor was just taking their pictures. After a few years, I took my creative passion to capturing their beauty, their very essence, and their spirit of life. I now have gone a step further with my art and my photography to capturing the sacredness of life itself.

In this way, I can share this sacredness of nature with others. Through my images, they can glimpse within their hearts and minds the mystery and wonder of the natural world–regenerating the strings that once connected and attached them to the earth. They can learn not to take nature for granted, especially the morning serenade of bird songs, and again become part of the sacred circle of life itself.

Pileated Woodpeckers Chicks Beg Mother For More Food
Pileated Woodpeckers Chicks Beg Mother For More Food

Here with my Wildlife Beyond Borders collection of bird images, I hope to ignite the love of birds, spark feelings of marvel in their brilliant colors, and open people’s hearts to their unique world. Wherever we are in our daily life we must listen, and not take nature’s gestures for granted, for bird songs are windows into the natural world.

Some may say this is the fanciful thinking of an idealistic dreamer. Yet, I believe in the power of nature to heal, comfort and soothe the human soul. All my life experiences with nature have led me to know this truth.

Come to the Wildlife Beyond Borders reception at Keeble and Shuchat and learn more. Meet my fellow artists Mary Aiu, Susan Carnahan, Diane Rebman, Wendy Hannum, and Oliver Klink. Reception is Saturday, April 16, 2016, from 2:00 PM to 5:00 PM at Keeble and Shuchat, 290 California Avenue, Palo Alto, CA 94306.

To register for the VIP at 1:00 PM and/or Main Event click register link below

Register

What Goes Into a Spectacular Wildlife Portrait?

What Goes into a Spectacular Wildlife Portrait?
(5 Essential Ingredients)

Gray Fox Portrait
Gray Fox Portrait

Subject:

A portrait without a great subject just doesn’t work; there is nothing to catch and hold the eye, nothing to draw and elicit emotions from the viewer.  Some would think a green lynx spider is a great subject, it can be, for spiders and insects strike a chord in some. Yet, sea otters who have a human baby like face, and other attractive animals especially cats and members of the dog family, are more popular subjects and really strike the emotional heart of humans. Young mammals have that “cute” factor that always touches people and produce that “ah” and “wow” response.  Many nature photographers capitalize on this reaction and develop much of their efforts in photographing the young of many mammal species.  Yet, I still believe that any wildlife subject photographed extremely well can be a great portrait.

Background:

How clean is the image? Are there distractions? Where does the eye go to? Whatever the subject is it cannot stand out or sing, unless the background is clear and clean. Ultimately, a complex and busy background will draw the viewer’s attention away from the subject itself. The background’s color, line, and content need to compliment the subject and add to the overall impact of the image, not detract from the subject. Sometimes the background is just as important as the subject.

Light:

Another significant factor is light. Light is the key to any successful image. A great image must have great light. For inherently, photography is essentially capturing light. Many types of light can be used in portrait making. Side lighting can be effective, and with human subjects, the use of flash gives the photographer lots of control over the overall quality of light. The classic Rembrandt technique with its two to one ratio give classic human portraits. Window lightening is also a very simple yet effective light source in the hands of a competent photographer. For outdoor wildlife portraits, my favorite light is diffused light: soft and not harsh, and rendering colors to their most vibrant essence. Not the thick gray clouds of rain, nor the dreary gray of fogging days, but just the thin clouds just obscuring the sun’s direct and bright light–a big giant softbox obscuring the sun.       

Life:

Another factor is the spirit of life. That twinkle in the eyes that reflect back the spirit and personality of the animal. Black and dull eyes mean lifeless eyes. Without good illumination, you have a stuffed animal look that doesn’t capture the mystery and wonder of life.  Eyes must be sharp in focus. As they say, eyes are windows to the soul!

Composition:

The final element is composition. Like a great painter, you must draw the observer in. Create a three dimension space from a two dimension medium. Diagonal lines are more powerful and less static than horizontal or vertical lines. Use s-curves, color, form, and texture to keep your viewer engaged. Study great art! The composition principals are the same in both mediums. Keep the composition simple, for simplicity clarifies the structure and purposes the image-maker intend. Whereas complexity visually clutters the eye and leaves a general disinterest and disappointment with the viewer. Great composition means a powerful impact that engages on an emotional and spiritual level. Hauntingly drawing the viewer back time and time again, to see with fresh eye once more.    

In summary, you need an interesting subject that sparkles with life and engages the viewer with its own unique personality.  Where all the elements contribute and enhance the subject. Keeping the background simple and clean lets the subject captivate the viewer and tugs at the strings of the heart. Photography is an evocative art. The making of a great portrait image is accomplished with distinct and interesting illumination and with a creative composition that ties in all the elements together.

Adding a little behavior could also enhance the overall impact, educating the viewer, providing a glimpse or window into the lives of these animals. Here for my example, a fox with a prey animal in its mouth. Yet other than serendipity, this requires lots of time in the field, much studying their behavior and patience and more patience. However, the reward could be outstanding, a portrait with behavior.   

Applying these ingredients over time, with practice and dedication, you will develop a style, and furthermore, your vision and unique way of seeing the world will come through in your images, in your body of work, and that’s the making of great art! 

Here is a particular wildlife portrait I really love. It’s one of my gray fox images taken at my beloved ramrod ranch from a photo blind. It’s just incredible to watch a wild gray fox come into drink not ten feet away from you. It’s a humbling and spiritual experience. I just love the diffused fall colors in the background. Especially, the diagonal flow of the top part and the subtle warm circular colors in the bottom left. Love also the expression of life in this young gray fox’s face. It’s so alive and alert… One of my best wildlife portraits!!!

This image was taken at the Ramrod Ranch where I offer bird blind photography each spring and fall. Not only do birds come to water, but so does many other animals like this beautiful gray fox.

For more information click the link below:
https://dreamcatcherimages.net/bird-blind-workshops-at-the-ramrod-ranch/

Soul Of The Elephant

Young Elephant Curls Trunk Over Head While Under Mother
Young Elephant Curls Trunk Over Head While Under Mother

A compelling, fascinating, and a compassionate look into the “Soul of the Elephant”, done in a very poignant way as if they were telling the story through a poem. Dereck and Beverly Joubert are my favorite wildlife filmmakers. They tell important stories of iconic African wildlife in a fresh way, with breathtaking cinematography, using innovative camera angles. Their expert bush and species knowledge comes through a narration that is just mesmerizing, so lyrical and melodic–the way they switch and weave the stories and scenes between each other’s voice.

If you love elephants, wild places, wild animals, this Nature PBS episode is not to be missed. This is natural storytelling at its best, by those closest to the wildlife, living life with them. Their passion for what they do and the compassion and love for the wildlife comes through in their presentation.

I only wished for more…like their 88-minute film the Last Lions that I saw in the theater.

The original broadcast was on PBS on October 14, 2015, somehow I missed it. However, I found the full episode online at the PBS Nature site.

Take time from your busy life and please watch this Nature episode; it will change you forever, it’s haunting. I have already seen it twice, and I am sure I’ll watch again.

I highly recommend this search for the “Soul of the Elephant”, in fact, I would love to be doing what they are–immersed in the wild: living and breathing the wild smells of Africa.

Here is the link: Full Episode: Soul of the Elephant

Please posted your comments and let me know your thoughts.

In addition, here is their Ted Talk from 2010  Dereck and Beverly Joubert’s Ted Talk